28 FebComcast to start new minority-owned cable channels

(AP) ? Comcast will launch four minority-owned networks on its cable-TV systems in the next two years, including channels spearheaded by music mogul Sean “P. Diddy” Combs and NBA great Magic Johnson.

Two of the networks are majority black-owned while two are majority American-Hispanic-owned, with all of them programming in English, the Philadelphia-based Comcast said.

It was unclear how much of an on-camera role, if any, Combs and Johnson might play on their respective network.

The new channels, which in all will total 10 rolling out in the next eight years, are part of an agreement reached by Comcast with the FCC and Department of Justice when it was allowed to become majority owner of NBCUniversal.

The networks announced Tuesday include:

? Revolt, conceived by Combs and MTV veteran Andy Schuon, will have programming that includes music videos, live performances, music news and interviews.

“Revolt is the first channel created entirely from the ground up in this new era of social media,” said Combs, who described the channel as “immediate, like today’s social networks.”

In a video posted on YouTube, Combs said Revolt will put artists in charge.

“It’s your channel to do what you want to do, how you want to do it,” he said, addressing them, with the result “uncut, raw, uncensored.”

Revolt is scheduled to launch in 2013.

? Aspire, to be led by Johnson in partnership with family-oriented channel GMC TV, will dedicate itself to enlightening and positive programming aimed at black families. It will air movies, documentaries, music and comedy, as well as faith and inspirational programs.

“Aspire will be a network that encourages and challenges African-Americans to reach for their dreams,” said Johnson, adding that it “will celebrate our heritage, our groundbreaking achievements and the fearless talent that has shaped American culture.”

It will launch this summer.

? El Rey, proposed by Hollywood director Robert Rodriguez and FactoryMade Ventures executives John Fogelman and Cristina Patwa, is designed to be an action-packed, general entertainment network for Latino and general audiences. The programming mix will include reality, scripted and animated series, and will feature Hispanic producers, celebrities and public figures.

“We are passionate about creating a wildly entertaining destination that we can be proud of by appealing to both Latino and mass market audiences,” said Rodriguez, a successful filmmaker known for the “Spy Kids” films.

El Rey is scheduled to debut by January 2014.

? BabyFirst Americas, from Spanish-language TV veteran Constantino “Said” Schwarz, is designed for infants and very young children, as well as their parents. It will emphasize the importance of early development of verbal, math and motor skills, the network said.

“BabyFirst Americas aims to bring the essential academic building blocks for kindergarten readiness into the home,” Schwarz said.

The first of the networks to arrive, it is planned to be on the air this April.

These four networks, and the six others yet to be announced, are being chosen from more than 100 proposals, Comcast said. Each will be added as part of Comcast’s digital basic tier of service.

The company, which is the nation’s largest cable TV provider, did not mention in its announcement other cable systems planning to carry the new networks.

___

Online:

www.Comcast.com

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2012-02-21-TV-Comcast%20Minority%20Networks/id-335ec63703324db98a230c83fbacc881

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25 JanSong of the trees: Record player hacked to translate tree rings into music (Yahoo! News)

We may never be able to?speak with trees, but we can at least listen to their stories thanks to this hacked?record player than can translate tree rings into music. The player called Years created by?Bartholom?us Traubeck, uses the rings from a very thin cross section of a tree’s bark as a music sheet from nature.

Tree rings are most commonly used for?dendrochronology or the method of dating trees. But when you feed the hacked player a slice of the bark that’s as thin as a record, it translates the rings into haunting?piano music instead. The needle found on typical players is replaced by the PlayStation Eye, which serves as a webcam that reads the rings. The thickness, strength, and growth rate of the tree where the slice of bark came from are then analyzed.

The final piece is generated when the results from the analysis are combined with data about the wood’s texture and color, giving us an overall view of the tree in an eerie, poignant ditty.

Traubeck via?TheNextWeb

This article was written by Mariella Moon and originally appeared on Tecca

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Source: http://us.rd.yahoo.com/dailynews/rss/tech/*http%3A//news.yahoo.com/s/yblog_technews/20120123/tc_yblog_technews/song-of-the-trees-record-player-hacked-to-translate-tree-rings-into-music

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22 DecJudge shifts expenses from Jackson executors (AP)

LOS ANGELES ? The executors of Michael Jackson’s estate will no longer have to pay some legal expenses and other costs out of their own pockets after a judge approved changes Monday to the estate that has earned hundreds of millions of dollars since the pop star’s death.

The changes approved by Superior Court Judge Mitchell Beckloff mean attorney John Branca and music executive John McClain will no longer pay the costs from their share of the estate.

The men had been paying fees for entertainment legal counsel provided by members of Branca’s firm, and McClain had been incurring expenses for the use of a recording studio founded by Marvin Gaye.

Those expenses significantly diminished their 10 percent share of Jackson’s post-death earnings.

Branca and McClain have been collecting closer to 7 percent of the estate earnings since it became a “massive entertainment business enterprise,” court filings state.

Estate attorneys sought the change, saying the executors spend more time than they anticipated on Jackson’s affairs. The men have overseen numerous Jackson-themed projects, including the licensing of music, video games and a touring Cirque du Soleil show that will eventually become a Las Vegas fixture.

The men agreed in February 2010 to accept 10 percent of the gross entertainment-related earnings of the estate, minus money generated by Jackson’s 50 percent interest in the Sony-ATV music catalog and earnings from “This Is It,” a film compiled from the singer’s final rehearsals.

The exclusions are huge revenue generators for the estate ? the Sony-ATV catalog includes publishing rights to music by The Beatles, Elvis Presley, Bob Dylan and other stars. The executors also have been excluded an interest in Jackson’s music, which has sold briskly since his death on June 25, 2009, at age 50.

Since then, the estate has earned more than $310 million.

The percentage covers Branca’s work on the estate and McClain’s producing services.

Under the deal approved Monday, Branca’s firm Ziffren Brittenham LLP will now receive 3 percent of entertainment-related income generated by Jackson’s estate in 2011 and future years.

Estate attorney Howard Weitzman said the firm was performing work that would cost more than $2 million a year if it was being handled by another firm, and court filings state that a traditional entertainment estate would include additional managers and attorneys who would receive up to 30 percent of the estate’s overall revenue.

There was no estimate for how much McClain’s billings might be. He bought and restored Gaye’s former Los Angeles studio in 1997, christening it Marvin’s Room, and Jackson and other top singers have recorded music there.

The estate benefits Jackson’s mother, Katherine, and the singer’s three children, Prince, Paris and Blanket, who received an initial $30 million payment earlier this year.

Attorneys for Katherine Jackson and the children had no objection to the changes approved by Beckloff. Meg Lodise, who represents the children’s interest, said, “It is quite clear that what they’re proposing is going to be fair to the estate.”

Weitzman told Beckloff that the estate has recently resolved creditors’ claims worth at least $11 million and is working to resolve any other valid outstanding debts. Jackson died with an estimated $400 million in debts, but renewed interest in his music and career have fattened the estate’s accounts, which listed $90 million in cash on hand according to a September court filing.

___

Follow Anthony McCartney at http://twitter.com/mccartneyAP

Source: http://us.rd.yahoo.com/dailynews/rss/music/*http%3A//news.yahoo.com/s/ap/20111220/ap_en_mu/us_michael_jackson_estate

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23 NovFrench President Nicolas Sarkozy wants to create music with a tax on ISPs

Nicolas Sarkozy is worried about the future of his country’s music industry, and he’s turning to French ISPs for help. Speaking alongside other G8 and G20 delegates at the Forum d’Avignon this weekend, Sarko affirmed his commitment to setting up a “national music center” within France, in the hopes of spurring artistic creativity amid a rather dour industrial climate. Modeled on France’s National Cinema Center, the system was first proposed back in September by Minister of Culture Frédéric Mitterrand, and, if launched, would be funded by a tax on ISPs. According to Sarkozy, taxing service providers in the name of protecting French art is only fair game. “Globalization [has allowed] the giants of the Internet to make a lot of money on the French market,” Sarkozy explained, echoing familiar Gallic attitudes toward online protectionism. “Good for them, but they do not pay a penny in tax to France.” He went on to praise his country’s Hadopi copyright law for reducing internet piracy by 35 percent, but stressed that the government must do more to protect what could be a dying French commodity: “The day when there is no more music, the day when there is no longer a cinema, the day when there are no writers, what will your generation search for on the internet?” Other things, probably.

French President Nicolas Sarkozy wants to create music with a tax on ISPs originally appeared on Engadget on Mon, 21 Nov 2011 13:21:00 EDT. Please see our terms for use of feeds.

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05 Aug

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15 JunBook Review: John RW Keillor's Music Without God. – Woodenrocketpress

?Music Without God: From Slayer to Stereolab
John R. W. Keillor
134 pages.
musicwithoutgod.com

?Imagine an atheist,? begins John R.W. Keillor, ?preferably adult, of either gender. . . Take a few seconds to customize your atheist. Own your atheist. See the ears and eyebrows. Be artistic. Express yourself.

?Now, the only thing I can guess at with any certainty about your atheist is that he or she isn?t smiling.?

Keillor?s right. My atheist isn?t smiling, but neither is my Christian, my Hindu or my Buddhist. The pursuit of God is serious business, even for those who, like the Dalai Lama, chose to remove belief from the equation. Religious prophets and heroes usually spend their lives wandering in the desert, as Buddha and Mosses did; fighting political battles, like Christ and Arjuna; or tortured for their devotion, like Jone d?Arc or Job. The smile is not the barometer of the soul. The soul is the organ of revolution. Atheist heroes like Darwin, Dawkins, Hawking and both Lennons, are also serious revolutionaries, and by that definition, just as deeply soulful and any devout prophet.

Not that Dawkins wouldn?t be pissed at me for saying so. Most modern atheists would probably say that the soul is imaginary, just like the aura, the astral heart, even the mind itself. The human animal is a physical being, they would say. Thoughts are electrical. Emotions are chemical. You are one single being, not a collection of subordinate parts. It is an idea I first learned reading about Buddhism.

So Keillor?s mission, to write broadly and usefully about ?a non-religious way to explore the human soul,? is a failure. He understands neither non-religion nor the soul well enough to write about them authoritatively.

Keillor may not realise it, but he isn?t talking about soul. He?s talking about self awareness, about joy, and actually, he?s doing so very successfully. Pick up?Keillor?s book expecting to take his underdeveloped?thesis with a grain of salt.?Music Without God is not really about souls, but rather?solely about the author and beneath the ill plied veneer of essay, Music Without God is actually a highly enjoyable text. A wonderful collection of memoir and concert review, with a peppering of classic video game nostalgia just for kicks.

The work is cornerstoned by reviews?of Keillor?s four most formative musical experiences: his adolescent selves first Slayer concert, his grown selves favourite Johnny Hollow concert, his first hardcore song ??Chemical Warfare by the Dead Kennedys ??and his first Stereolab record,?Dots and Loops. Keillor is a well practiced music writer ? having a long career spanning?a number of major Canadian publications, most notably as the opera critic for the National Post ? and it is in these passages that Music Without God truly shines.

Keillor is writing about joy, and in his reviews, that joy is palpable and thick.? He remembers every note, every texture of these intense?musical experiences, and he shares them with the reader frankly, sincerely, and with relatable, straightforward passion. They are reviews not only of the music itself, but of the authors whole experience in listening to it. The reader takes away excellent and compelling, biographical snapshots.?It?s a lot of fun to read about heavy metal from the perspective of a practiced, classical ear, but it?s even more fun to read about Keillor as?young, opinionated man, coming of age around music.

by Michael Scott
http://woodenrocketpress.com

Source: http://woodenrocketpress.com/2011/06/book-review-john-r-w-keillors-music-without-god/

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09 JunJabbawockeez | Current World News

What a great song! Season 6 teams to join them on stage completely Jabbar. Jabba baby even made an appearance.

Dance and music video hit single devastating music stereo sound. The group , their talent in dance and music together in the music video. The masked men strut in Las Vegas all the hits of Bangerz. They go to bed video Wockin in Monte Carlo. To add to the experience of these two groups, Mike Relm, who led the work. This is a very sick talent.

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Source: http://acurrentworldnews.com/jabbawockeez-html

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